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In this drama, which Albert Camus began to work on in 1938 and which he repeatedly revised under the impression of European fascism, the playwright sketches the portrait of a politician unfettered by laws or morals.

For her stage adaptation of the relentlessly autobiographical six-part work "Min Kamp" by Norwegian author Karl Ove Knausgård, director Yana Ross has selected fragments from the first two parts "Sterben" (A Death in the Family.

In the beginning, "Malina" appears to be a romantic relationship: A woman torn between two men.

The world needs a reboot!  The five hackers in this play are in agreement about that. But how to startle the masses from their lethargy? 

Not only since the public assault by former football president Luis Rubiales on the Spanish national team player Jennifer Hermoso has the persistence of patriarchal power structures in professional football become evident.

Hedda Gabler lives a life of conventions. She is trapped: in her marriage, in her time and in a play. Hedda is an anti-hero, a pioneer and an enigma, all at once. What drives her in her apparently destructive deeds? What makes her who she is?

"I look at Germany and I see nothing – nothing – you have to fuck people or be related to them to see something – so I see nothing – I can’t even tell a dog from a pram."
 

Unsere 90-minütigen Workshops stellen eine praktische Annäherung an Inhalt und ästhetische Prinzipien der jeweiligen Inszenierung dar.