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Bertolt-Brecht-Platz 1
10117 Berlin
Contact & Access

Box-Office

+49 30 284 08 155
theaterkasse@berliner-ensemble.de

Der reguläre Vorverkauf für alle Vorstellungen Februar bis 2. März läuft. Unsere Theaterkasse hat montags bis samstags von 10.00 Uhr bis 18.30 Uhr für Sie geöffnet.

651 results

  • Der Tod ist gross #6

    Nach ausgewählten Vorstellungen von Ferdinand von Schirachs neuem Stück "Gott", das die Debatte um den ärztlich assistierten Suizid zum Thema hat, finden diese Spielzeit Publikumsgespräche mit wechselnden Expert*innen aus Medizin, Religion, Philos

  • Das Verschwinden des Dr. Mühe

    Mit "Das Verschwinden des Dr. Mühe" entfaltet Oliver Hilmes vor unseren Augen ein reales und rätselhaftes Verbrechen, das doppelbödig, voller Abgründe – und bis heute ungeklärt – ist. 

  • Die Dreigroschenoper (The Threepenny Opera)

    Its songs are legendary and its essentially trivial story about love, betrayal, business and morals underwent an equally insolent and intelligent revision regarding its social criticism: The Dreigroschenoper (Threepenny Opera), premiered at this v

  • ANATOMIE EINES SUIZIDS (Anatomy of a Suicide)

    Three women, three generations: Carol – who appears to be living the perfect family life – commits suicide when her daughter Anna is 16 years old.

  • Mephisto

    Hendrik Höfgen is an actor and he just wants to act – to act at any price. He considers himself to be on the right side, on the side of art. He demands permission to be unpolitical in a time where this is rendered impossible. 

  • Sarah

    Scott is an average guy: He teaches literature at a trade school, is married with two children and always tries to do the right thing. But what exactly is the "right" thing? Is it to always be authentic? To always follow conventions?

  • Amok

    It is hot and Europe is far away.

  • wagner - der ring des nibelungen

    With his Ring des Nibelungen, Richard Wagner took possession of the essentially German Nibelungen-myth and composed a work which was truly revolutionary at the time, with regards to both itsmmaterial and its music.